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Ä«Ä«¿ÀÅå Ä«Ä«¿À½ºÅ丮 ºí·Î±× ³×À̹ö¹êµå ÆäÀ̽ººÏ Æ®À§ÅÍ
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ÇϹٺ°½Ã´ÔÀÇ ±ÛÀÔ´Ï´Ù.
> Animals
>
>
> ¼±»ç½Ã´ë¿¡ ±×·ÁÁø µ¿±¼ º®È­¿¡¼­ºÎÅÍ ¸ðºô, ÄݶóÁê, ÆÇÈ­, ûµ¿ µî¿¡ À̸£±â±îÁö ´Ù¾çÇÑ ±â¹ýÀ¸·Î µÈ ÀÛÇ°À» ÅëÇØ µ¿¹°À» °¨»óÇغ¼ ¼ö Àִ åÀÔ´Ï´Ù.
>
> ArcimboldoÀÇ ±×¸²Àº ÀÛÇ°À» ÀÌ·ç°í ÀÖ´Â µ¿¹° Çϳª Çϳª¸¦ ¶¼¾î º¸¸é ¾È µÇ°í titleÀÌ ÁÖ´Â À̹ÌÁö¸¦ ¶°¿Ã¸®¸ç Á» ¸Ö¸®¼­ °¨»óÇØ¾ß ÇÕ´Ï´Ù.
> ±×·¯¸é ½Å±âÇÏ°Ôµµ »ç¶÷ÀÇ ¾ó±¼ À±°ûÀ» ¹ß°ßÇÏ°í È­°¡ÀÇ ÃµÀ缺¿¡ °¨ÅºÇÏÁö ¾ÊÀ» ¼ö ¾ø°Ô µÇÁö¿ä.
>
> ¾ÆÀ̵é°ú ÇÔ²² ÀÛÇ°À» º¸°í ½º½º·Î ÀÚÀ¯·Ó°Ô µ¿¹°À» Ç¥ÇöÇغ¼ ¼ö ÀÖ´Â ±âȸ¸¦ Á־¸é ¾î¶³±î¿ä?
>
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>
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> ÀÌ ¼±»ç½Ã´ë »ç¶÷µéÀÌ µ¿±¼ º®¿¡ ¹» ±×¸®´Â Áö ¾Ë°Ú¾î¿ä?
>
> ÇÁ¶û½º ¶ó½ºÄÚ µ¿±¼(The Caves at Lascaux)ÀÇ Ã¹¹ø° ȦÀÎ 'The Great Hall of Bulls ¿¡ ±×·ÁÁø º®È­´Â ±¸¼®±â ½Ã´ë(±â¿øÀü 15000³â °æ ¸¶µé·» ±â)ÀÇ È¸È­·Î ¿©°ÜÁý´Ï´Ù.
> ÀÌ ¼®È¸¾Ï µ¿±¼ ¼Ó¿¡ ±×·ÁÁø µ¿¹°È­´Â ¸ðµÎ »ýµ¿ÀûÀÌ¸ç ±â¹ýµµ ´ë´ÜÈ÷ ¹ß´ÞÇÑ °ÍÀ¸·Î ¿©°ÜÁö°í ÀÖ½À´Ï´Ù.
>
> ¿©±â¸¦ ´©¸£½Ã¸é ¶ó½ºÄÚ µ¿±¼ º®È­¸¦ Á÷Á¢ ŽÇèÇÏ´Â ±âºÐÀ» ´À²¸º¸¼¼¿ä.
>
>
>
> ÀÌ ±×¸²µéÀÌ ¹»±î¿ä?(¹» ±×¸° °É±î¿ä?)
> ¾ÆÅ´º¼µµ´Â µ¿¹°·Î ÃÊ»óÈ­¸¦ ±×·È½À´Ï´Ù
> (µ¿¹° ±×¸²À» ±×·Á ¹èÄ¡ÇØ »ç¶÷¾ó±¼ÀÇ Çü»óÀ» Ç¥ÇöÇسÂÁÒ.)
>
>
> ¿©±â·Î °¡½Ã¸é Arcimboldo¿Í ±× ÀÛÇ°¿¡ °ü·ÃµÈ »çÀÌÆ®¸¦ ¸ðµÎ ã¾Æº¼ ¼ö ÀÖ½À´Ï´Ù.
>
>
> ¿©±â¸¦´­·¯ 'The Earth'¸¦ °¨»óÇϼ¼¿ä.
>
> ¿ì¸® ÀÚ¿¬À» ÀÌ·ç°í ÀÖ´Â ±âº» ¿ä¼Ò¿¡ ¸ôµÎÇÑ ±×ÀÇ ±×¸² ½Ã¸®Áî Áß Çϳª·Î ´Ù¾çÇÑ µ¿¹°·Î ÀÌ·ç¾îÁø ¾ó±¼ ¸ð½ÀÀ» º¼ ¼ö ÀÖ½À´Ï´Ù.
> ´õ ÀÚ¼¼ÇÑ °É ¾Ë°í ½ÍÀ¸½Ã¸é ù¹ß°ß torchlight ½Ã¸®Áî ·Î ³ª¿Í ÀÖ´Â 'Let's look at Arcimboldo's Portraints'¸¦
> Âü°íÇÏ½Ã¸é µµ¿òÀÌ µË´Ï´Ù.
>
> ÀÛÀº »õ¾ß ¸Ö¸® ³¯¾Æ°¡·Å!
> »õÀåÀº ¿­·ÁÀÖ°í, »ç½Ç (³Ê¸¦ ±×¸°) È­°¡´Â ³Î °¡µÎ¾îµÎÁö ¾Ê¾Ò´Ü´Ù
> (Çʸ§Áö¸¦ ³Ñ°Üº¸¸é »õÀå ¹Û¿¡ ¾É¾ÆÀÖ´Â ¾Þ¹«»õ¸¦ º¼ ¼ö ÀÖ´ä´Ï´Ù.)
>
> ÀÎÅͳÝÀ» ¿ÂÅë µÚÁ®µµ 'Cornelius Biltius'¶õ ÀÛ°¡³ª 'Parrot by Cage'¶õ ÀÛÇ°¿¡ °üÇØ Ã£¾Æº¼ ¼ö°¡ ¾ø³×¿ä.
> ´Ü Çѱºµ¥ 'Bridgeman Art Library'ÀÎÅÍ³Ý »çÀÌÆ®¿¡ °¡¸é ¾ÆÁÖ ÀÛÀº ±×¸²À» º¼ ¼ö´Â Àִµ¥ ÀÌ°Å¶óµµ º¸½Ã±â¸¦...
> ¿©±â¸¦ ´©¸£¼¼¿ä.
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> Ä®´õ´Â ±Ý¼Ó ¼±À¸·Î ÀÌ ¸ðºôÀ» ¸¸µé¾ú½À´Ï´Ù.
> ±×¸®°í 'Fishbones'(»ý¼±»À)¶ó°í À̸§ ºÙ¾úÁö¿ä.
>
> Alexander Calder´Â ¹Ì±¹ÀÇ Á¶°¢°¡·Î 1952³â º£³×Ä¡¾Æ ºñ¿£³¯·¹ Á¶°¢´ë»ó ¼ö»óÇϱ⵵ Çß°í, ¿òÁ÷ÀÌ´Â ¹Ì¼úÀÎ ¡®Kinetic Art¡¯ÀÇ ¼±±¸ÀÚ·Î ÀÏÄþîÁý´Ï´Ù.
>
> ¿©±â·Î °¡¼Å¼Å 'Calder activities'¸¦ ´©¸£½Ã¸é ¾ÆÀ̵é°ú ÇÔ²² ¸ðºôÀ» ¸¸µé¾î º¸½Ç ¼ö ÀÖ¾î¿ä.
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> ¸¶Æ¼½º´Â »öÁ¾ÀÌ Á¶°¢µéÀ» ºÙ¿© ÀÌ ÄݶóÁê(ÀÛÇ°)¸¦ ¸¸µé¾ú½À´Ï´Ù.
> ±×·±µ¥ ¿Ö ÀÌ ÀÛÇ°À» 'The Snail'(´ÞÆØÀÌ)¶ó°í À̸§ ºÙ¿´À»±î¿ä?
> (ÀÌ°Í ¿ª½Ã Åõ¸í Çʸ§À» ³Ñ±â¸é ±× ´äÀ» È®½ÇÈ÷ ¾Æ½Ç ¼ö ÀÖÁö¿ä.)
>
>
> ¿©±â¸¦ ´­·¯ 'The Snail'À» °¨»óÇϼ¼¿ä.
>
> ÇÇÄ«¼Ò¿Í ÇÔ²² 20¼¼±â ȸȭÀÇ ÁöħÀ» ±¸ÃàÇÑ °ÍÀ¸·Î Æò°¡¹Þ´Â ¸¶Æ¼½ºÀÇ ÀÛÇ°À» °¨»óÇغ¸¼¼¿ä.
> ¿©±â¸¦ ´©¸£¼¼¿ä.
>
>
>
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> ¿¡¼Å°¡ ±×¸° ÀÌ ÀÛÇ°¿£ µ¿¹°(»ý¹°)ÀÌ ±×¾ß¸»·Î µÚ¾ôÇûÀֳ׿ä.
> µ¿¹°ÀÌ ¾Æ´Ñ °Í ãÀ» ¼ö ÀÖ°Ú¾î¿ä
>
> ¿©±â·Î °¡¼Å¼­ 'Mosaic 'ÀÛÇ°À» °¨»óÇϼ¼¿ä.
>
> ¿©±â¸¦ ´©¸£½Ã¸é ±â¹¦ÇÑ ½Ã°¢Àû ¹ÝÀÀÀ» ÀÏÀ¸Å°´Â ÆÇÈ­ÀÛÇ°À¸·Î À¯¸íÇÑ ³×µ¨¶õµå ¾ÆƼ½ºÆ® EscherÀÇ ´Ù¸¥ ÀÛÇ°µéÀ» º¸½Ç ¼ö ÀÖ¾î¿ä.
>
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> ÀÚ ÀÌÁ¦ ¿ì¸® È­¶ûÀÇ µ¿¹°(±×¸²)µéÀ» °¨»óÇϼ¼¿ä.
>
> 'Two Chained Monkeys'- Bruegel the Elder
> ¿©±â¸¦ ´­·¯ '³ó¹Î ºê·Ú°Ö'ÀÇ ±×¸²À» °¨»óÇϼ¼¿ä.
>
>
> 'The Painting Monkey'- Jean-Baptiste Chardin
> ¿©±â¸¦ ´©¸£¼¼¿ä.
> Chardin,Jean-Baptiste SimeonÀÇ ÀÛÇ°À» ´õ °¨»óÇÏ½Ã°í ½ÍÀ¸½Ã¸é ¿©±â·Î °¡¼¼¿ä.
>
>
> 'The Cat Bastet Lying with its Kitten'- ÀÌÁýÆ®ÀÎ ÀÛÇ°, ûµ¿
>
>
> 'Toucan'- ¸ß½ÃÄÚÀÎ ÀÛÇ°, papier-mache
> 'Goldfish'
>
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> 'The Goldfish'- Henri Matisse
> ¿©±â¸¦ ´©¸£¼¼¿ä.
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> 'The Cat'- Alberto Giacometti , ûµ¿
>
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> 'Buffalo'- Áß±¹ÀÎ ÀÛÇ°, ¼¼¶ó¹Í
>
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> 'La Dame a la Licorne'- ÇÁ¶û½ºÀÎ ÀÛÇ° , ÅÂÇǽºÆ®¸®
>
> ÀÌ ¼¼ºÎ¹¦»ç ±×¸²Àº ¸ðµÎ ÀÌ Ã¥ ¼ÓÀÇ ÀÛÇ°ÀÇ ÀϺκÐÀÔ´Ï´Ù.
> ¾î´À ¼¼ºÎ¹¦»ç ±×¸²ÀÌ ¾î¶² ÀÛÇ°¿¡ ¼ÓÇÏ´Â °ÍÀÎÁö ±¸ºÐÇÒ ¼ö ÀÖ°Ú¾î¿ä?
>
> ÀÌÁ¦ ÀÌ ±×¸²µéÀ» °¨»óÇßÀ¸´Ï, ¿©·¯ºÐÀº °³, °í¾çÀÌ, ¶Ç´Â ±ÝºØ¾îµµ ±×·Áº¼ ¼ö ÀÖÀ» °Å¿¹¿ä.
>
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> mobile:
> A mobile is a decoration or work of art in which many of its parts move freely often because each one is hung by a thread and therefore moved by the air.
>
>
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> gouache
> ±¸¾Æ½´ ºÒÅõ¸í ¼öäȭ ¹°°¨À¸·Î ±×¸®´Â È­¹ý; ±× ±×¸² ¹°°¨.
> (pl. gouach¡¤es ) ±¸¾Æ½´ ±×¸².
>
>
> lithograph : ¼®ÆÇÀμâ, ¼®ÆÇÈ­
> a picture printed using a stone or metal block on which an image has been drawn with a thick oily substance that attracts ink
>
>
> canvas:
> A canvas is a piece of this cloth used by artists for painting on, usually with oil paints, or the painting itself.
>
>
> papier-mache: (»óÀÚ µîÀ» ¸¸µå´Â) °ÉÂßÇÑ Á¾ÀÌ ¹ÝÁ×.
>
> pieces of paper mixed with glue or with flour and water and used to make decorative objects or models
>
>
> bronze:ûµ¿
> a hard metal made of copper and tin
>
>
>
> ceramics:
> the production of objects by shaping pieces of clay which are then hardened by baking
>
>
> collageÄݶóÁê, °ü°è¾ø´Â °ÍÀ» Â¥¸ÂÃß¾î ¿¹¼úÈ­(ûù)ÇÏ´Â È­¹ýÀÇ ÀÏÁ¾.
> (the art of making) a picture in which various materials or objects, for example paper, cloth or photographs, are stuck onto a larger surface
>
>
> tapestry :
> ´Ùä·Î¿î ¼±¿°»ö»ç(à»æøßäÞê)·Î ±×¸²À» Â¥³ÖÀº Á÷¹°·Î ,³¯½ÇÀ» ÆØÆØÇÏ°Ô °Ç °÷¿¡ »ö ¾¾½ÇÀ» ¹«´ÌÀÇ »ö¿¡ µû¶ó ²ç¸Å °¡µíÀÌ Â¥³Ö´Â ÆòÁ÷(øÁòÄ)ÀÇ º¯È­Á¶Á÷
> A heavy cloth woven with rich, often varicolored designs or scenes, usually hung on walls for decoration and sometimes used to cover furniture.
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> There prehistoric men are painting a bull.
>
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> Archimboldo placed objects(such as animals, vegetables, flowers) next to each other to form a face.
> Here you see a head made of a variety of animals.
> How many different animals can you name?
>
>
> Should we use collage to make a picure?
> What would do like to make?
> How about a snail like this?
>
>
> It's a printed picture called 'lithograph'.
> This is a guitar. It's not an animal.
>
>
> Probably, this lady thinks the cat is going to eat the fish in her basket.
> Don't worry. It's just a bronze.
>
>
> This 'Toucan' is made out of papier-mache
> Do you see anything similar to its beak?
>
>
> She seems to feed grass to bufflao made out of bronze.
>
>
> It's a picture sewn on a large piece of heavy cloth.
> Isn't these colored threads beautiful?
>
>
>
>
>
> http://www.culture.fr/culture/arcnat/lascaux/en/
>
> http://www.popularsites.com
>
> http://www.bridgeman.co.uk
>
> http://www.seoul-mi.hs.kr/wwwroot1999/html/9703/sang/a1/calder.htm
>
> http://my.netian.com/~hammerx/esher/esher0.htm
>
> http://www.abcgallery.com
>
> http://artsoho.net/
>
> µÎ»ê¼¼°è´ë¹é°ú EnCyber
>
> http://dictionary.cambridge.org/
>

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